Floral Crafts
Dried botanicals and hand-shaped sola blooms, arranged in glass — a finished piece rather than loose stems you have to style yourself. The dried material needs no water and nothing wilts; the sola flowers, shaped by hand from plant pith, hold their pale colour as the dried pieces soften. Kept out of direct sunlight and away from damp, an arrangement holds its shape for years rather than days. Each one is built by hand, so the balance of texture and tone is slightly different every time.
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Dried Golden Sunflower Vase Set
A sunflower with its face kept whole — the dark granular centre, the petals stiff and curled a little at the tips. The bloom is sola wood, hand-shaped from plant pith, which is why the yellow stays this saturated instead of ambering the way a dried petal would. Dried eucalyptus and seed stems fan out behind it in sm...
Dried Golden Sunflower Bottle Set
The tall jar gives the sunflower room to sit high, with dried eucalyptus and seed stems trailing below it — more vertical than the vase version, and better on a narrow shelf. The bloom is sola wood, hand-shaped from plant pith, so the yellow stays where it is while the dried material around it softens.
Dried Golden Meadow Bottle Set
Billy balls hold their yellow far longer than most dried blooms, which is the trick behind this one. The cream rose and white daisy are sola wood, hand-shaped from plant pith, so they stay pale rather than ambering the way dried petals do. Dried eucalyptus fills in the rest, upright in a lidded glass jar.
Dried Eucalyptus Bloom Bottle Set
Green and white, nothing else. Dried eucalyptus gone matte, white baby's breath, and one sola bloom hand-shaped from plant pith for a point of stillness — the restraint is the whole idea. Upright in a lidded glass jar, it reads quieter than a fuller arrangement and holds a shelf without competing for it.
Dried Crimson Hydrangea Bottle Set
Bunny tails are the softest thing in this jar and the reason it works — they blur the line between the deep hydrangea red and the dark evergreen behind it, with a pale sola rose, hand-shaped from plant pith, holding the middle. Upright in a lidded glass jar. Best in the months when the light goes early.
Dried Ivory Whisper Bottle Set
All white, all texture — this is the one that disappears into a neutral room and then quietly holds it together. Sola blooms, hand-shaped from plant pith, sit among pale dried botanicals, so the white stays white while the dried pieces warm slightly with age. Upright in a lidded glass jar.
Dried Cream Sunflower Bottle Set
Four small things, none of them competing: a yellow billy button, a flat white daisy, cream dried baby's breath, and one blush bloom set slightly lower than the rest. The pale blooms are sola wood, hand-shaped from plant pith, which is why they stay this clean. In a lidded glass jar, it stays legible from every side.
Dried Ivory Pinecone Bottle Set
Cinnamon sticks and pinecones share a certain dry weight — the kind of materials that feel like late autumn before you notice what they are. Layered with evergreen and pale dried filler in a lidded glass jar, this one leans woody rather than floral, and holds up well through the colder months.
Dried Baby's Breath Bottle Set
A lidded glass jar changes how you look at things — the curve of the glass draws the eye in and holds it there. Inside, golden dried baby's breath and a single sola rose, hand-shaped from plant pith, close enough to read every detail. Small, contained, and easy to place on a shelf or bedside table.
Dried Eucalyptus Bloom Vase Set
Eucalyptus loses its gloss as it dries and turns almost suede — a matte grey-green that reads as calm rather than fresh. Paired with a white sola bloom, hand-shaped from plant pith, and airy dried filler in smoky glass. Green and white throughout, with nothing bright enough to pull focus from the room.
Dried Golden Meadow Vase Set
Five kinds of texture in one small vessel: the bead-hard billy button, a flat white daisy and the paper give of a sola rose — both hand-shaped from plant pith — suede-matte dried eucalyptus, and filler fine as thread. Held together in smoky glass, close enough that the differences between them stay visible.
Dried Ivory Pinecone Vase Set
A pinecone opened slowly enough to look carved, its scales stiff and woody against the give of dried baby's breath. A rattan ball sits low for weight. In smoky glass it reads more like something found on a walk than arranged — the most natural of the set, and the least floral.
Dried Ivory Whisper Vase Set
Sola blooms have a papery softness that catches light differently than petals do — closer to linen than to flowers, and hand-shaped from plant pith rather than dried. Gathered with pale neutral dried botanicals in smoky glass, this one stays quiet in a room and works against almost any wall colour.
Dried Woodland Pinecone Jar
A cork lid instead of an open top, which makes this one feel less like an arrangement and more like something kept. Pinecones, cinnamon sticks and evergreen packed in behind clear glass, with a dried orange slice for warmth. Sealed, so nothing settles inside — the easiest piece here to live with.
Dried Cream Sunflower Vase Set
Billy buttons keep their yellow better than almost anything else that dries — small hard spheres, more like beads than blooms. The cream sunflower at the centre is sola wood, hand-shaped from plant pith, so it holds that pale colour while the dried baby's breath and evergreen around it soften with time. All in smoky...
Dried Crimson Hydrangea Vase Set
Hydrangea petals thin as they dry until they feel like tissue, and the red settles into something deeper — nearer wine than crimson. At the centre sits a sola rose, hand-shaped from plant pith, pale enough to hold its own against all that colour. Bunny tails soften the edges, evergreen sprigs hold the shape, all in ...
Dried Baby's Breath Vase Set
Baby's breath dries into something closer to sea foam than to flowers — hundreds of tiny heads that hold their shape but weigh almost nothing. Warmed here to gold, with a white sola rose at the centre, hand-shaped from plant pith. In smoky glass, the whole thing stays light enough to sit almost anywhere.